One of the great themes of nineteenth century mathematics was the
collective efforts of many mathematicians to put the methods of
calculus and higher analysis on a firm rigorous foundation. The bane
of modern calculus students, the
-
definition of
limits, is one of the great highlights of this efforts. With the
powerful new ideas about the exact notions of ``limits'' and
``continuity,'' mathematicians were at last able to explore entirely
new kinds of geometric objects.
A pioneering study of the nature of sets and real numbers was undertaken by Georg Cantor in the last half of the nineteenth century. Although the idea of real numbers as infinite decimal expansions had existed for some time before Cantor, Cantor was the first to realize some of the surprising implications presented by this idea. Perhaps his most famous argument is the simple observation that given any enumeration of real numbers in decimal form, say:
where each
is an integer and each
is a digit from 0 to
9, we can always find a real number
not on the
list by choosing
to be a different digit from
(and 9,
to avoid numbers that end in all 9's). This diagonal argument
proves that the set of real numbers are uncountable. It was at
one time a bitter pill for philosophers to accept that there were
irrational numbers; Cantor's argument shows much more. In any
definable sense, the vast majority of numbers are not rational, nor
even algebraic (solutions of polynomial equations with rational
coefficients).
This shift in mathematical philosophy, although it seems almost devoid of controversy today, is similar to the transformation that has taken place in dynamics over the past several decades. The predictable smoothly varying long-term behavior that was so highly prized before is now known to be the exception rather than the rule. The limiting geometry and dynamics is far more likely to be fractal or chaotic in nature. We will return to this theme later in the course.
Cantor's manipulation of decimal expansions reflects a perception of digit expansions as a symbolic dynamical system. The symbolic states are simply the digits 0 through 9. A decimal expansion is a listing of the states over each generation; the number itself is the behavior of the dynamical system. This idea suggests all kinds of curious things to consider. Cantor formulated a particularly interesting set based on restricting the ``symbolic dynamical systems'' of digit expansions. We need to make a slight variation from our usual system of expansion. Since there is nothing sacred about the use of the base 10, we can also work with expansions to other bases, particularly base 3. In base 3, there are exactly three digits 0, 1, and 2. A digit expansion of a number (called a ternary expansion) takes the usual form
where each digit
is 0, 1, or 2. The actual number is
composed of powers of 3 (instead of powers of 10) as a series:
Cantor defined a set C to consist of all numbers with a ternary expansion that used only 0's and 2's but no 1's. An expansion that ended with all 2's is allowed in C. The diagonal argument can be used to show that C is again uncountable, and therefore in that sense is has a great many points. However, as we shall see, it appears as a wispy smattering of points in line, with no length in any sense.
To ``plot'' the Cantor set, we shall consider only those points in the
unit interval [0,1]. Considering the first digit, points beginning
with
do not occur in C, with two exceptions. The
endpoints
and
have at least one possible expansion in
all 0's and 2's and so belong to C. Thus, in trying to carve out
C, we must first cut away the middle third of the interval
(1/3,2/3). When we consider the second digit, we must also eliminate
expansions beginning
and
. These correspond
to the middle thirds of the remaining intervals (1/9,2/9) and
(7/9,8/9). This process of cutting out middle thirds continues
indefinitely. The residue that's left over is the Cantor set.
It turns out that this process can be described by a very simple L-system (called CantorDust in FRACTINT):
Axiom FThe angle is irrelevant in this case. We begin with a straight line segment F and replace it by a pattern of draw one step, move a second step, and draw the third step. This carries out the carving of the middle thirds. The sequence of the generations is shown below.
F=FGF
G=GGG
Figure 15: Generations of the Cantor L-system
The dust-like limit at the end is hardly impressive; yet, this kind of dusty distribution appears throughout nature, for instance, the clumpy distribution of matter in the universe. Mandelbrot calls this kind of geometric object fractal dust.
Since Euclid, the distinctions between points, lines and planes had seemed intuitively clear. With the description of the Cantor set, Cantor had raised a dusty cloud that was neither pointlike nor much like a line. Cantor next turned his attention to the difference between a line and a plane. For twenty years Cantor strove to prove that there were in some sense far more points in the plane than there are in the line. It was a shock to himself and to the world to find that this was untrue. The truth comes from again a kind of symbolic dynamical approach. Any pair of digit expansions
can be threaded together to form a single expansion
and conversely any single digit expansion may be unthreaded into a
pair of digit expansions. This idea (with a little elaboration) proves
that the points in
and
may be placed in one-to-one
correspondence. Cantor had already accepted the idea of ``one-to-one
correspondence'' as the means for deciding when two infinite sets
had the same number of elements.
This mapping between
and
is highly artificial in the
sense that points which are near one another in
may be
unthreaded into two points in
which are not close to one
another. That is to say, Cantor's correspondence is not continuous.
There remained the question of whether or not there is a mapping
which satisfies all the following conditions:
Peano1 { ; Adrian MarianoThe starting configuration is a square. We may think of the first generation of our mapping
; from The Fractal Geometry of Nature by Mandelbrot
Angle 4
Axiom F-F-F-F
F=F-F+F+F+F-F-F-F+F }
Each side of the previous configuration is replaced by a nine segment
configuration shown in this figure. This figure also shows the path of the curve by
rounding the corners. The quarter-interval that was mapped to the
original segment may now be divided into nine equal subintervals, and
each of these ninths is mapped in the simplest way to the
corresponding segment in the generating pattern. Stitching all these
segments together gives a second continuous mapping
. Continuing this process, we obtain a sequence of continuous
functions
that converge uniformly to a continuous function
. The image of the limit function is a solid square.
Generation 2 is shown in this figure. Without making the paths clear, the images of later
generations are not very informative, since they depict only
successively finer tilings by squares. Some curved versions are shown in
[Man83].
Figure 16: Peano production rule
Figure 17: Second generation Peano curve
With the discovery of the Peano curves, the question of whether or not
there was a function
satisfying properties 1-4
above (such a map is called a homeomorphism) became more
precarious. The final answer that this is impossible was provided by
Brouwer in the early twentieth century and is based on some subtle
mathematics that finally established the rigorous notion of
topological dimension. For more information about Cantor's part
in this story, the reader may consult the informative account of
Cantor's life and work in [Dun90].